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Calder was encouraged to create, and from the age of eight he always had his own workshop wherever the family lived.

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Their first daughter, Sandra, was born in 1935, and a second daughter, Mary, followed in 1939. Calder attends Germantown Academy for two or three months while his parents search for a house close to New York City.

He also began his association with the Pierre Matisse Gallery in New York with his first show in 1934. (Calder 1966, 28; CF, Calder 1955–56, 7) Winter: The Calders move to Croton-on-Hudson, New York.

He also took a job illustrating for the , which sent him to the Ringling Bros.

and Barnum & Bailey Circus to sketch circus scenes for two weeks in 1925.

Arp, in order to differentiate Calder's non-kinetic works from his kinetic works, named Calder's stationary objects "stabiles." In 1933, Calder and Louisa left France and returned to the United States, where they purchased an old farmhouse in Roxbury, Connecticut. Barcelona: Fundació Joan Miró–Centre d'Estudis d'Art Contemporani, 1975. Museum at Large and the Whitney Museum of American Art, New York. Directed and produced by Paul Falkenberg and Hans Namuth; narration by Louisa Calder, Tom Armstrong, and John Russell. (Calder 1966, 22) Spring: The Calders move to a new house on 555 Linda Vista Avenue.

Calder converted an icehouse attached to the main house into a studio. Calder's workshop consists of a tent with a wooden floor. (CF, Nanette to Trask, 30 March; Calder 1966, 26–27) Fall: The Calders return to Philadelphia.The duck is kinetic—it rocks back and forth when tapped.Even at age eleven, his facility in handling materials was apparent.James Johnson Sweeney, who had become a close friend, wrote the catalogue's preface. Part of the series "Festival du court-métrage." Société Nouvelle Pathé-Cinema, Paris. Calder has a cellar for his workshop and attends Croton Public School.Calder also constructed sets for ballets by both Martha Graham and Eric Satie during the 1930s, and continued to give performances. Directed by Jean-Michel Meurice and Jean Pierre Marchand; produced by Eliane Victor. (Calder 1966, 28–29) December: For Christmas, Calder presents his parents with a dog and a duck that he trimmed from a brass sheet and bent into formation.Calder worked for several years after graduation at various jobs, including as a hydraulics and automotive engineer, timekeeper in a logging camp, and fireman in a ship's boiler room.While serving in the latter occupation, on a ship from New York bound for San Francisco, Calder awoke on the deck to see both a brilliant sunrise and a scintillating full moon; each was visible on opposite horizons (the ship then lay off the Guatemalan coast).He met Louisa James (a grandniece of writer Henry James) on one of these steamer journeys and the two were married in January 1931.He also became friendly with many prominent artists and intellectuals of the early twentieth century at this time, including Joan Miró, Fernand Léger, James Johnson Sweeney, and Marcel Duchamp. I always thought I was born—at least my mother always told me so—on August 22, 1898.Calder found he enjoyed working with wire for his circus.He soon began to sculpt from this material many portraits of his friends and public figures of the day.

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